Webirteenth- Century Double Motet , Music Analysis , 9 (1980), 287 31. 7 See the discussion of the relative proportion of two- voice and polytextual motets in Catherine A.Bradley, … WebApr 1, 2007 · Abstract. The texts of thirteenth-century vernacular motets have held centre stage in many recent debates about this polytextual genre: the purported unintelligibility …
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Webthe polytextual nature of the motet in the late thirteenth and early four-teenth centuries ineluctably raises questions about the organisation of sound through time, on the one hand, and about the possible meanings of those sounds, on the other. ‘Sound’ and ‘sense’, therefore, form the WebOccasionally, sections of organum would be selected-New text would then be added to the music-These new pieces of music became known as motets (from the French “le mot” for … how to replace a missing green card
Seeking the Sense of Sound
WebThe Texts of the Motets for Six Voices of Orfeo Vecchi. Dario De Cicco Ph.D. Download Free PDF View PDF. Notes on the Sources and Reception of Senfl's Harmoniae. Grantley … WebThese polytextual motets based off of Viderunt omnes are the most textually engaging compared to the other works based off of it, as the non-tenor lines of text are poems that are performed simultaneously to the original text: “Dominus” in Motets on Tenor Dominus and “omnes” in de ma dame vient/Dieus, comment porroie/Omnes. WebGuillaume de Machaut (French: [ɡijom də maʃo], Old French: [ɡiˈʎawmə də maˈtʃaw(θ)]; also Machau and Machault; c. 1300 – April 1377) was a French composer and poet who was the central figure of the ars nova style in late medieval music.His dominance of the genre is such that modern musicologists use his death to separate the ars nova from the … how to replace a missing driver\u0027s license